understand the definition of archival documentary and the process of selection and omission to construct meaning for the audience. [13][14][15][16], Goodes retired from the AFL in September 2015. Explores race relations in Australia and how formal and informal treatment of Aboriginal and Torres Strait Islander peoples impacts upon their sense of belonging. consider the various ways mood and meaning are created in archival documentaries. Students will gain an appreciation of the work of Shark Island Productions and the power of archival documentary to communicate public messages of importance. Where to start: Watching the Film Years 5 to 12, Exposing Truth. Tracy works closely with parents and teachers to support young people with issues such as anxiety, learning needs, depression, confidence, and behavioural challenges. Project-specific support provided by Screen Australia's development programs since the agency's inception in July 2008. They largely argue that he overreacted to being heckled by the crowd. Given that Adam Goodes retired in 2015, why do you think Shark Island Productions thought it important to share the Adam Goodes story with audiences four years later? Darling presents a self-consciously larrikin culture in which the right to provoke is sacrosanct, and perceived pomposity is eagerly sniffed out. During the last three years of his career, Goodes was named Australian of the Year, accused of staging for free kicks, and performed an on-field war dance celebration. Premiering at the Sydney Film Festival, what a picture The Final Quarter paints; one that as the archival footage emphasises all played out in the public eye under the sizeable gaze of both the country's football media and the popular code's supporters. Background [ edit] Adam Goodes was a champion AFL footballer and Indigenous leader. The result is a powerful film that holds a mirror to Australia and suggests we reconsider what happened on and off the football field. He publicly called out racism, was named Australian of the Year, was accused of staging for free kicks, and performed an on-field war dance celebration. Synopsis 0000081589 00000 n Explores injustices faced by Aboriginal and Torres Strait Islander peoples, their rights and the continuing journey towards reconciliation. Director Ian Darling joins us to discuss, ://fbiradio.com/ian-darling-yvonne-sampson-last-days-adam-goodes-career/, https://thefinalquarterfilm.com.au/about/. The Australian Human Rights Commission is an independent statutory organisation, established by an act of Federal Parliament. The Final Quarter - Making An Archival Documentary - Media Arts - Years 9 & 10 Considering Social Action Students are given opportunities to apply their learning in real world situations, in the classroom, school, home or the local community. Director Ian Darlings film is crafted using only archival footage aired at the time, which has been expertly edited. [7], Over the following years, and particularly in 2015, Goodes was repeatedly and loudly booed by opposition fans at most matches. [21][22] The director's statement about the film states that he did not want to explicitly choose a side but instead wanted to present the footage and allow "the audience to see and hear for themselves what had happened, to ask their own questions and to come to their own conclusions". Goodes said after the incident that the dance was based on one he learned from under-16s Indigenous team the Flying Boomerangs, and that it was intended as an expression of Indigenous pride during Indigenous Round, not as a means of offending or intimidating the crowd. This sets the scene for exploration of one of the films key messages: that words matter, and they ought to be used responsibly. Directed by Ian Darling, and solely compiled from archival material in a technique reminiscent of another great sports doco in recent years, . The cheers became boos as the crowds turned on him. The first film, The Final Quarter, just launched at the Sydney Film Festival, premiering to a packed house on Friday, June 7 and receiving a standing ovation from the lively audience afterwards. Third party web links are provided for your convenience only. Australian documentary filmmaker Ian Darling re-examines the incidents that marked the final 3 years of Indigenous footballer Adam Goodes playing career. This is the time period captured in director Ian Darlings exhilarating and confronting documentary, which premieres at the Sydney film festival on 7 June and is intended to spark a reassessment of the national conversation at the centre of which Goodes found himself. Director's Statement. The AFL issued an unprecedented and extraordinary response on the night of the films premiere, apologising for the treatment that Adam Goodes had experienced and for not doing enough. Whether tearing up football fields across during his 372-game stint for the Sydney Swans, or standing up against prejudice both in the AFL and in Australian in general, Adam Goodes' name has been splashed across the headlines plenty of times over the past two decades. The film 'The Final Quarter' looks at the final years of Adam Goodes' AFL career and the storm that followed. 0000052832 00000 n [27] Luke Buckmaster, writing for The Guardian, called it "confronting" and "inspiring",[29] while Blake Howard, writing for Flicks, gave it five stars and called it exhilarating and powerful. THE FINAL QUARTER | Film - Official website TRAILER PAUL KELLY MUSIC VIDEO Education Resources FOR SCHOOLS AND SPORTING CLUBS All Resources Watch now Request Free DVD Screening Guide Adam Goodes was a champion AFL footballer and Indigenous leader. Excludes Producer Offset and Producer Equity Program. 0000004542 00000 n Below we've listed down some of the most widely-used cinematography techniques that can help dictate how your audience should feel about your scene, as well as how they will interpret it. The Final Quarter is a 2019 Australian documentary, directed by Ian Darling and produced by Shark Island Productions, about the final stages of the Australian football career of Adam Goodes, during which he was the target of repeated booing by opposition fans. 0000071725 00000 n Through the Narragunnawali platform, schools and early learning services can develop a Reconciliation Action Plan (RAP), and teachers and educators can access professional learning and curriculum resources to support the implementation of reconciliation initiatives. 0000001984 00000 n Why might companies like Shark Island Productions be beneficial for the Australian media industry and Australian audiences in general? (2019), June 17). Goodes was christened Australian of the Year in 2014, and a telling moment sees him asked about Australia Day (or Invasion Day, per its detractors), the annual commemoration of the First Fleets arrival. Uncomfortable, too, in the middle of a media storm he never saw coming, and which seems never to abate. Honing in on Goodes' last three seasons as an AFL player up until his . From 2013, Sydney Swans footballer Adam Goodes went from being a champion footballer, an outstanding Indigenous leader and the 2014 Australian of the Year, to being booed and taunted by fans at stadiums across the nation. [12] He returned the following week and played for the remainder of the season after an outpouring of support from fans, actors, politicians, celebrities and teammates, including two spontaneous standing ovations. There were always people who argued that Goodes was not a victim of racism just a King Kong reference here and an ape joke there, set to the soundtrack of thousands of punters booing from the stands. Adam Goodes was a champion AFL footballer and Indigenous leader. Mise en Scene is an integrated design concept which refers to what we see on screen in a film. But this is not some dry academic exercise. "Callum Mills wins 2016 AFL Rising Star award", "Ejected teenage fan didn't know 'ape' was racist", "Adam Goodes' leave from AFL this weekend should fuel shame: Bartlett", "Man up? 0000007932 00000 n Provide every junior and senior sporting club with access to the film and screening guides and supporting materials via the AFL and Australian sporting clubs, Work with sporting bodies to encourage clubs to screen the film as an ongoing part of Indigenous Round activities. Adam Goodes, captain of the Sydney Swans, at the end of the 2012 AFL grand final at the MCG. It was produced by Shark Island 0000004288 00000 n in The Final Quarter. The methodology of The Final Quarter and other aforementioned films of its ilk can have a distancing effect - many of the traditional powers of the motion picture medium (cinematography, for. Students will explore how the editor and director created mood and message for the audience, and appreciate how archival documentary can powerfully communicate public messages of importance. 0000003225 00000 n 0000013810 00000 n Subscribe for full access to The Hollywood Reporter, Ian Darling recaps the years-long media cycle that drove Indigenous sportsman Adam Goodes out of the limelight in 'The Final Quarter.'. Music, still images and diction-ary definitions have been added to heighten the message of The Final Quarter. Those unfamiliar with Australian football are unlikely to become adherents after watchingThe Final Quarter, a documentary that weaves together archival footage to tell the story of Indigenous player Adam Goodes, whose outspokenness about racism led to a cavalcade of jeers and finally to his exit from the game. Every film uses different techniques to create meaning throughout the film. Within the first three months of the educational release, the film: had been seen within ~25% of secondary schools in Australia and became the third-most watched content on ClickView in 2019, including 1,073 institutions streaming the film and a total 22,294 views. They specialise in creating documentaries that educate the public about important social issues. Topic: Learning Through Film, Social Issues, Indigenous Education, This lesson is part of the wider unit of work: The Final Quarter Assembling Archival Footage Media Arts Years 9 & 10. In the final three years of his playing career he became a lightning rod for a heated public debate and widespread media commentary that divided the nation. Screen Australia acknowledges the Traditional Custodians of the land on which we work and recognises their continuous connection to culture, community and Country. Goodess role in attempting to make Australia a more educated and tolerant country will be remembered long after all the marks, kicks, and tackles have been forgotten. The fallout inevitably led to a backlash against the fallout, in a manner familiar to anybody whos cast a cursory glance at online comments sections, in which over-sensitivity is positioned as an existential threat. Narragunnawalis online platform is free to access and provides practical ways to introduce meaningful reconciliation initiatives in the classroom, around the school and with the community. Feedback to date also confirms the transformative nature of the film for students, as well as the powerful capability of the film as a tool for teachers to help their students understand racism and discrimination. As Darling astutely realised, the footage says it all. Adam Goodes is a champion AFL footballer and Indigenous leader who became a lightning rod for an intense public debate and widespread media commentary that divided the nation. 1. Retrieved fromhttps://fbiradio.com/ian-darling-yvonne-sampson-last-days-adam-goodes-career/, Shark Island Production. [25] It was shown as part of the 2019 Perth International Film Festival and the Castlemaine Documentary Film Festival, both in July 2019,[26] and aired on Network Ten on 18 July 2019. 33 Creative and the GO Foundation were invaluable in publicising the film and carrying out its impact campaign over social media. Adam Goodes was Australian of the year in 2014. The Final Quarter Film Timings and Questions 01:00:00 - Warning and intro 01:01:14 - Sam Newman speaks to Adam via camera 01:01:57 - 'racist' definition 01:02:00 - Nathan Buckley and AFL 360 01:02:31 - Sam Newman on gay pride game Opportunity to pause and discuss important ideas and themes. Available free with ClickVIew subscription at the film website www.thefinalquarterfilm.com.au. 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Let us know what you like or don't like about this activity: Sorry. Late 2019: Launched the educational strategy in partnership with the Australian Human Rights Commission, Reconciliation Australia and Cool Australia, including 46 lessons for years 5-12 on dignity, cultural pride, racism, truth-telling, respect, resilience, and mental health. Check out the trailer for The Final Quarter below: The Final Quarter will release in Australian cinemas later this year. Unsurprisingly, it's also both moving in displaying the AFL champ's dignified response to such horrors, and infuriating in its thorough examination of his ordeal. To view more detail on relevant specialist units scroll down. Looks at score and song writing, including analysing lyrics and musical elements. In this lesson students will learn about archival documentary filmmaking conventions and apply their analytical skills to scenes from The Final Quarter. 0000003887 00000 n 0000010667 00000 n How did it come to this? Level of teacher scaffolding: Medium introduce new concepts and facilitate discussions and activities. 0000005252 00000 n [5], On 24 May 2013, during the AFL's annual Indigenous Round (the Sir Doug Nicholls Round), a 13-year-old Collingwood supporter called Goodes an "ape". The first film, The Final Quarter, just launched at the Sydney Film Festival, premiering to a packed house on Friday, June 7 and receiving a standing ovation from the lively audience afterwards. Using only archival footage aired at the time, the film holds a mirror to Australia and is an opportunity to reconsider what happened on and off the footballfield. [28], The documentary was widely praised by critics. Paul Kelly wrote the end credit song "Every Day My Mother's Voice" for the film, and won Best Original Song Composed for the Screen, 2019 Screen Music Awards. In addition, 13,000 users accessed the educational resources on Cool Australia and 2,500 watched the film, and the AToM study guide was downloaded 3,507 times. It received extensive media coverage, with over 200 articles and 330 pages of media appearing in all media outlets including The Age, SMH, Herald Sun, The Australian, The Guardian, The Daily Telegraph, ABC Insiders, etc. They evaluate how genre and media conventions and technical and symbolic elements are manipulated to make representations and meaning. Cool Australia has produced 52 lessons designed for Years 5-12 that investigate racism, privilege, truth-telling, cultural pride, resilience, values and dignity. This despite the nuance with which he spoke about the incident, and his carefulness to lay the blame on her environment, rather than on the girl herself. The motivation for, and acceptability of, the booing generated wide public debate, which dominated media coverage from both sports and political commentators for weeks at a time. We appreciate your feedback. 0000081321 00000 n Student Worksheets one copy per student. The racially motivated vilification and unsympathetic voices from audience members and commentators increased to the point where he left the game on which he had built his career. Screenwriters: Mark Monroe, Ian Darling Australian documentary filmmaker Ian Darling re-examines the incidents that marked the final 3 years of footballer Adam Goodes' playing career. ay back in the distant dark ages of Australian history those atavistic times when the nation was young, barbaric and bigoted one of the greatest players in one of the countrys most cherished sports leagues ended his career not in fanfare, but as a figure at the centre of an ugly debate about racism. Made entirely from archival footage, photos and interviews sourced from television, radio and newspapers, the film reviews the national conversation that took place over this period, and places it in a wider historical context. 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